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WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
| Artist | Song | Album | Label | Comments | |||
|---|---|---|---|---|---|---|---|
| Hazel Scott Trio | A Foggy Day | March of Dimes | 1955 television appearance. Hazel Scott piano, vocals; Charles Mingus b, Rudy Nichols d | ||||
| Today's show is a Black History Month tribute to Hazel Scott! Reference: HAZEL SCOTT by Karen Chilton. Available at the Duke music library (book or audio book) or Durham Public Library (audiobook only) | |||||||
| Hazel Scott & Marian McPartland | Early Life / Jullliard | Piano Jazz | NPR | radio interview recorded in 1980 | |||
| Hazel Scott & Canada Lee | New World A-Coming | New World A-Coming | radio transcription 26 March 1944 | ||||
| Sextet of the Rhythm Club of London | Mighty Like the Blues | Great Scott! Collected Recordings 1939-57 | Acrobat | rec 1939 Scott's first recording session. HS p, vcl; Danny Polo c; Pete Brown as; Albert Harris g; Pete Barry b; Arthur Herbert d. Note that since this is her first session, it's a conventional swing orchestra not dominated by piano as would be typical for the rest of her recording career | |||
| Hazel Scott | Ritual Fire Dance | Swinging the Classics | Decca | rec 1940. HS p; J.C. Heard d | |||
| Hazel Scott | Blues in B Flat | Hazel Scott, Vol. 2 | Decca | rec 1942 HS p; J.C. Heard d. HS composer | |||
| Hazel Scott | Taking a Chance on Love | I Dood It | MGM | rec 1943 appearance in the film I DOOD IT. Scott always appeared as herself in movies because the only available parts for Black women at the time were demeaning. She had a conflict with producer Harry Cohn because she refused to perform with background actors wearing stereotypical "calico laundry women" costumers behind her & Cohn saw to it that she didn't make any more film appearances until after Cohn's death | |||
| Hazel Scott and Sidney Catlett | "C" Jam Blues | Classic V-Disc Small Group Sessions | Mosaic | rec 1943, V-Discs were produced for servicemen during WWII | |||
| Charlie Parker & Hazel Scott | Embraceable You | Bird in Time 1940-1947 | ESP | rec 1943 sorry the sound quality is so bad | |||
| Hazel Scott | Hungarian Rhapsody No. 2 | Army-Navy Screen Magazine | WWII era newsreel, exact date unknown. This piece by Liszt was one of Scott's favorites | ||||
| Hazel Scott with Toots Camarata's Orchestra | I'm Glad There Is You | Hazel Scott with Toots Camarata's Orchestra | rec 1945 unusual for Scott to record with a full orchestra | ||||
| Hazel Scott | How High the Moon | A Piano Recital | Signature | rec 1946 | |||
| Hazel Scott | A Rainy Night in G | A Piano Recital | Signature | rec 1946 HS composer | |||
| Hazel Scott | Mary Lou | Great Scott | Columbia | rec 1948 HS p; unknown b, g, d. The performance is a tribute to Scott's lifelong friend Mary Lou Williams | |||
| Hazel Scott | Dancing on the Ceiling (He Dances On My Ceiling) | Great Scott | Columbia | rec 1948 HS p, vcl; unknown b, g, d | |||
| Hazel Scott | Nightmare Blues | Great Scott | Columbia | rec 1948 HS p, vcl; unknown b, g, d. composer HS | |||
| Hazel Scott | That Old Black Magic | Hazel Scott's Late Show | Capitol | rec 1953 HS p; Red Callender b; Lee Young p | |||
| Hazel Scott | What America Means to Me | What America Means to Me | WFIL Philadelphia | 1951 radio transcription. This was made the year after Scott's disastrous appearance before HUAC. Note that while she asserts her patriotism and loyalty to the country, she still doesn't shy away from condemning racism and Jim Crow | |||
| Hazel Scott with Charles Mingus and Max Roach | Git Up From There | Relaxed Piano Moods | Original Jazz Classics | rec 1955 composer HS. Relaxed Piano Moods is generally considered her greatest works | |||
| Hazel Scott with Charles Mingus and Max Roach | Peace of Mind | Relaxed Piano Moods | Original Jazz Classics | rec 1955 composer HS | |||
| Hazel Scott | Ev'ry Time | 'Round Midnight | Decca | rec 1956 HS p, Everett Barksdale g, Ssandy Block b, Jimmy Crawford d. | |||
| Hazel Scott | 'Round Midnight | 'Round Midnight | Decca | rec 1956 HS p, Everett Barksdale g, Sandy Block b, Jimmy Crawford d | |||
| Hazel Scott | L'homme que j'aime | Joue et Chante | Polydor | rec 1958 in Paris where Scott lived for many years | |||
| Hazel Scott | Do You Feel Alright? | Always | Image | rec 1979 in New York. composer HS | |||
| Hazel Scott Trio | Guess I Gotta Move | After Hours | Tioch Records | rec 1980 the year before Scott died. HS p, George Duvivier b, Oliver Jackson d. composer HS/Duvivier | |||
| Hazel Scott and Marian McPartland | Don't Misunderstand | Piano Jazz | NPR | rec 1980 the year before Scott died. Radio interview | |||