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WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
Artist | Song | Album | Label | Comments | |||
---|---|---|---|---|---|---|---|
John Kirby Sextet | Undecided | The Best of John Kirby 1937-1945 | Master Classics | today's show is a tribute to John Kirby! | |||
Bill Brown and His Brownies | What Kind of Rhythm is That? | What Kind of Rhythm is That? Territory Bands 1927-1931 | Historical Records | rec 1929 this was Kirby's first recording. He started on the tuba which was integral to the rhythm section at this time | |||
The Chocolate Dandies | Dee Blues | Coleman Hawkins The Essential Sides Remastered | JSP | rec 1930 | |||
Fletcher Henderson and His Orchestra | Yeah Man | The Fletcher Henderson Story | Columbia | rec 1933 Kirby's big break was in Henderson's band & his rhythm drove many of Henderson's greats songs like "Honeysuckle Rose" and "King Porter Stomp" (1933) but I played those songs just last week in the Fletcher Henderson tribute. This is one where you can really hear Kirby on bass that wasn't played last week | |||
Ethel Waters | Trademark | Cocktail Hour | Columbia River | rec 1933 in this period Kirby picked up work in many session bands, including backing Ethel Waters one of the most popular singers of the time | |||
Chick Webb Orchestra | Blue Lou | Complete Chick Webb and Ella Fitzgerald Sessions | Mosaic | rec 1934 in 1934 Kirby left Henderson and went to work for Chick Webb, another hugely popular band especially with dancers in NYC | |||
Chick Webb Orchestra | Rhythm Man | Complete Chick Webb and Ella Fitzgerald Sessions | Mosaic | rec 1934 another song where you can really hear Kirby's bass. Rhythm was central to Webb's orchestra as Webb himself was a drummer | |||
Taft Jordan & The Mob | Night Wind | Taft Jordan & The Mob | Classics | rec 1935 This was a side band led by Jordan, a member of Webb's orchestra | |||
Billie Holiday w/ Teddy Wilson & His Orchestra | Miss Brown to You | Lady Day | Sony Music Latin | rec 1935 this was Holiday's first recording sessions with Teddy Wilson who would become her frequent bandleader. It was also the first time Wilson and Benny Goodman recorded together as a "trail run" before Wilson joined the Goodman orchestra | |||
Lionel Hampton | Buzzin Around With the Bee | Classics 1937-1939 | EPM | rec 1937 | |||
Willie "The Lion" Smith & His Cubs | Knock Wood | Willie "The Lion"Smith And His Cubs | Timeless Holland | rec 1937 this side was recorded the day after Kirby formed his sextet & began his engagement at the Onyx Club | |||
John Kirby Sextet w/ Maxine Sullivan | Loch Lomond | The Best of John Kirby 1937-1945 | Master Classics | rec 1937 this was a big hit for Kirby and Sullivan. They married in 1938 & divorced in 1941 | |||
John Kirby Sextet w/ Maxine Sullivan | Night and Day | Say It With a Kiss | Jasmine | rec 1938 | |||
Mildred Bailey w/ John Kirby Sextet feat. Red Norvo | I Cried for You | 1931-1939 | L'Art Vocal | rec 1938 at this time Kirby primarily recorded with his wife Maxine Sullivan as vocalist, but did also sometimes work with other singers. Mildred Bailey and Red Norvo were married to each other & joined Kirby's sextet for a handful of sides | |||
Benny Goodman Quartet | I Know That You Know (And You Know That I Know) | Benny Goodman Complete RCA Victor Small Group Recordings | RCA | rec 1938 band included Goodman: clarinet, Buddy Schutz: traps, Teddy Wilson: piano, John Kirby: bass | |||
John Kirby & His Onyx Club Boys | Honeysuckle Rose | The Savory Collection 1935-1940 | Mosaic | rec 1938 live performance at the Onyx Club | |||
John Kirby Sextet | Rehearsin' For a Nervous Breakdown | Biggest Little Band in the Land | Classic Jazz | rec 1938 the first time they rehearsed this, the story goes that it was extremely hot and Charlie Shavers exclaimed, "we're rehearsing for a nervous breakdown!" the title stuck | |||
Frankie Newton Orchestra | The World is Waiting for The Sunrise | Small-Band Swing 1935-1939 | rec 1939 this track also featured Cozy Cole on drums and James P. Johnson on piano | ||||
Nat Gonella with John Kirby's Orchestra | Jeepers Creepers | the Nat Gonella Collection 1930-1962 | Acrobat | rec 1939 here Gonella joins Kirby's sextet | |||
John Kirby & His Orchestra | Minute Waltz | Vocalion 5542 | Vocalion | rec 1939 an example of Kirby's fascination with "chamber jazz," jazz influenced by classical music | |||
Frankie Newton Orchestra | Rosetta | Small-Band Swing 1935-1939 | rec 1939 at the same session as "The World I Waiting for the Sunrise" | ||||
Coleman Hawkins & The Chocolate Dandies | I Can't Believe That You're In Love With Me | Little Jazz Trumpet Giant | Proper UK | rec 1940 the Chocolate Dandies reformed briefly in 1940, Kirby had been in an earlier incarnation of the band ten years before | |||
John Kirby & His Orchestra | From A Flat to C | The Savory Collection 1935-1940 | Mosaic | rec 1940 for the radio program Flow Gently, Sweet Rhythm. The show aired from 1940-1941, featured Kirby and Sullivan who are considered the first black artists to host a jazz-oriented national radio program | |||
John Kirby Sextet | Blue Skies | Biggest Little Band in the Land | Classic Jazz | rec 1940 | |||
John Kirby Sextet | Royal Garden Blues | The Best of John Kirby 1937-1945 | Master Classics | rec 1940 | |||
John Kirby Sextet | Jumpin' In The Pump Room | The Best of John Kirby 1937-1945 | Master Classics | rec 1940 | |||
Maxine Sullivan w/ John Kirby & His Orchestra | There I Go | World Broadcast Recordings 1940-1941 | rec 1941 for the radio program Flow Gently, Sweet Rhythm | ||||
John Kirby Sextet | Beethoven Riffs On | The Best of John Kirby 1937-1945 | Master Classics | rec 1941 this was a swing arrangement of Beethoven's symphony 7, movement 2 | |||
John Kirby Sextet | Close Shave | John Kirby 1941-1942 | rec 1941 tis piece highlights trumpeter/arranger Charlie Shavers who was key to the Kirby band's sound | ||||
John Kirby Sextet | Bounce of the Sugar Plum Fairy | The Best of John Kirby 1937-1945 | Master Classics | rec 1941 this and "Beethoven Riffs On" highlight how much Kirby had in common with Raymond Scott in this period | |||
John Kirby Sextet | Charlie's Prelude | John Kirby 1941-1942 | rec 1941 written by Charlie Shavers, based on Chopin's Prelude in E Minor | ||||
John Kirby Sextet | It's Only a Paper Moon | The Best of John Kirby 1937-1945 | Master Classics | rec 1942 note how even with jazz standards, Kirby's band plays with symphonic techniques | |||
John Kirby Sextet | St. Louis Blues | The Best of John Kirby 1937-1945 | Master Classics | rec 1942 Buster Bailey displays expert circular breathing (a technique to maintain continuous sound while playing) in this track | |||
John Kirby Sextet | The Peanut Vendor | John Kirby 1941-1942 | rec 1942 | ||||
John Kirby Sextet | 9:20 Special | The Best of John Kirby 1937-1945 | Master Classics | rec 1944 | |||
Sarah Vaughan w/ John Kirby Sextet | You Go to My Head | The Divine Sarah | Musicraft | rec 1946 this album was part of an attempted comeback by Kirby | |||
John Kirby Sextet | Broadjump | Sepia Cinderella OST | rec 1947 for the film SEPIA CINDERELLA |