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WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
Artist | Song | Album | Label | Comments | |||
---|---|---|---|---|---|---|---|
The Four Freshmen | This October | This is Jazz | |||||
Ella Fitzgerald | (I've Got) Beginner's Luck | The George and Ira Gershwin Songbook | Verve | ||||
Nancy Wilson | People Will Say We're In Love | Hello Young Lovers: Capitol Sings Rodgers and Hammerstein | Capitol | ||||
Frank Sinatra | Dancing in the Dark | Come Dance With Me! | Capitol | ||||
Mongo Santamaria | Que Maravilloso | Sabroso! | Fantasy | ||||
Benny Goodman & His Orchestra | Don't Be That Way | Let's Dance | Big Band Jump | ||||
Duke Ellington Orchestra v/ Ivie Anderson | Chocolate Shake | The Blanton-Webster Band | RCA | ||||
Count Basie Orchestra | Do You Wanna Jump, Children? | Classic 1936-1947 Count Basie & Lester Young Studio Sessions | Mosaic | ||||
Artie Shaw & his Orchestra | Oh! Lady Be Good | Begin the Beguine | Membran | ||||
Glenn Miller Orchestra | Runnin' Wild | The Popular Recordings 1938-1942 | RCA | ||||
Lionel Hampton & His Orchestra | Slide Hampton Slide | Lionel Hampton and His Orchestra Telescriptions | rec 1951, one of Quincy Jones' first recordings. He has a trumpet solo at the 1 minute mark | ||||
Art Farmer Septet | Elephant Walk | The Art Farmer Septet | Prestige | rec 1954, feat Quincy Jones on trumpet | |||
Dinah Washington | I Get a Kick Out of You | For Those In Love | Emarcy | rec 1955. Arranging this album was a big break for Jones. Washington had heard his work and asked for him, but the label at first said no because "we need a name." Washington shot back "I've got a name for your ass, Dinah Washington arranged by Quincy Jones!" They allowed her to hire Jones and that began his career as an arrange/producer | |||
Quincy Jones Orchestra | The Birth of a Band | The Birth of a Band! | Mercury | rec 1959 Jones' first album as bandleader | |||
Frank Sinatra o/ Count Basie | Fly Me to The Moon | The Reprise Collection | Reprise | rec 1964 arr Quincy Jones. This was the first major hit of Jones' career | |||
Sammy Davis Jr. o/ Count Basie | The Girl from Ipanema | Our Shining Hour | Polygram | rec 1965 arr Quincy Jones. Jones worked repeatedly with Basie | |||
Sarah Vaughan | What Is This Thing Called Love? | Sassy Swing the Tivoli | Emarcy | rec 1963 arr Quincy Jones | |||
Billie Holiday & Her Orchestra | The Very Thought of You | Lady Day | Sony | ||||
Teddy Wilson & His Orchestra v/ Nan Wynn | Now It Can Be Told | Classic Brunswick & Columbia Teddy Wilson Sessions 1934-1942 | Mosaic | ||||
Larry Clinton & His Orchestra | Change Partners | The Golden Age of American Sweet Bands | Jasmine | ||||
Maxine Sullivan | Night and Day | Say It With a Kiss | Jasmine | ||||
Fats Waller and His Rhythm | There's Honey On The Moon Tonight | Complete Recorded Works Vol 5 | JSP | ||||
Cliff 'Ukulele Ike' Edwards | Oh, Lady Be Good! | Singin' In the Rain | ASV Living Era | ||||
Clarence WIlliams' Blue Five | Cake Walkin' Babies From Home | The Clarence Williams Collection 1921-1937 | Fabulous | ||||
Ted Weems & His Orchestra v/ Parker Gibbs | Chick, Chick, Chick, Chick, Chicken (Lay a Little Egg For Me) | The Essential Ted Weems 1923-1930 | Retreival | ||||
Bing Crosby & the Delta Rhythm Boys o/ Paul Whiteman | You Took Advantage of Me | Bing Crosby: 1926-1932 | Timeless Holland | ||||
Annette Hanshaw | Ain't That a Grand and Glorious Feeling? | Eddie Lang & Joe Venuti: The new York Sessions 1926-1935 | JSP | ||||
Duke Ellington | Black Beauty | The Duke: The Columbia Years | Columbia | ||||
Louis Armstrong & Ford Lee "Buck" Washington | Dear Old Southland | Hot Fives & Sevens | JSP | ||||
Harold Arlen o/ Leo Reisman | Stormy Weather | The Song Is ... Harold Arlen | ASV Living Era | rec 1933 this set = by request, a deep dive into the song Stormy Weather! Arlen was the song's composer. He was the house composer at the Cotton Club & wrote the song originally for Cab Calloway, who left the Cotton Club before performing it | |||
Ethel Waters | Stormy Weather | The Incomparable Ethel Waters | Columbia Legacy | rec 1933 after Calloway left the Cotton Club, Ethel Waters became the featured singer and was the first to perform "Stormy Weather." She made the song famous & it became a signature song for her | |||
Don Redman Orchestra | Stormy Weather | In Chronology 1936-1939 | Complete Jazz Series | rec 1937 rare up-tempo performance of this song | |||
Lena Horne | Stormy Weather | Stormy Weather | Sandy Hook | rec 1941 from the movie STORMY WEATHER, this is the performance most people remember | |||
Django Reinhardt & Stephane Grappelli | Stormy Weather | Rome 1949 | Label Ouest | rec 1949 somewhat unusual performance from late in Reinhardt's career | |||
Betty Carter | Stormy Weather | The Modern Sound of Betty Carter | ABC-Paramount | rec 1960 rounding out the deep dive with a couple of more modern performances | |||
Billy Eckstine | Stormy Weather | Once More With Feeling | Roulette | rec 1960 by this point Eckstine was mainly singing ballads, interesting that he chose an up tempo arrangement for this | |||
Ennio Morricone | Il Buono, Il Cattivo, Il Brutto | The Good, The Bad and The gly | United Artists Records |