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WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
Artist | Song | Album | Label | Comments | |||
---|---|---|---|---|---|---|---|
Art Blakey & The Jazz Messengers | Lift Every Voice and Sing | In My Prime | Absord Japan | Celebrating a belated Juneteenth | |||
Nina Simone | I Wish I Knew How It Would Feel to Be Free | The Essential Nina Simone | Sony Legacy | ||||
Oscar Peterson | Hymn to Freedom | Night Train | Verve | Peterson wrote this in 1962 as a tribute to the civil rights movement | |||
Dinah Washington o/ Hal Mooney | There'll Be a Jubilee | Dinah Washington In The Land of Hi-Fi | Emarcy | ||||
Max Roach Quintet v/ Abbey Lincoln | Freedom Day | We Insist! - Freedom Now Suite | Candid Records | ||||
Duke Ellington Orchestra v/ Ivie Anderson | Let's Have a Jubilee | The Complete 1932 Brunswick, Columbia and Master Recordings | Mosaic | ||||
Louis Jordan | Juneteenth Jamboree | Let the Good Times Roll | Bear Family | ||||
Duke Ellington Orchestra | Emancipation Celebration | Black, Brown and Beige | Columbia | ||||
Josephine Baker | Speech at the March on Washington | 1963 March on Washington | Baker was one of the few women allowed to speak at the March on Washington | ||||
Josephine Baker | C'est Lui | Head Over High Heels | Trikont | ||||
John Coltrane Quartet | Alabama | The Classic Quartet - Complete Impulse! Studio Recordings | Impulse! | written in response to the 16th Street Baptist Church bombing in Birmingham AL | |||
Duke Ellington Orchestra v Mahalia Jackson | Come Sunday (aka Part IV) | Black, Brown and Beige | Columbia/Legacy | ||||
Nina Simone | Ne Me Quitte Pas | The Essential Nina Simones | Sony Legacy | ||||
Billie Holiday & Her Orchestra | Strange Fruit | Rare Live Recordings 1934 - 1959 | ESP | ||||
Ray Charles | Lift Every Voice and Sing | The Dick Caveat Show | rec 1974 | ||||
Harry Belafonte | Matilda | The Essential Harry Belafonte | RCA/Legacy | ||||
Hazel Scott | The Jeep is Jumpin' | Hazel Scott | EG Jazz | ||||
Billy Strayhorn | Lush Life | Lush Life | Red Baron Records | rare recording of Strayhorn singing his own composition | |||
Ethel Waters | (What Did I Do To Be So) Black and Blue? | The Incomparable Ethel Watersm | Sony Legacy | the first popular recording about racist | |||
The Four Harmony Kings | Ain't It a Shame | 78" | Black Swan | this and the next 2 songs from Black Swan, the first Black owned and operated record label in the US | |||
Alberta Hunter o/ Fletcher Henderson | Bring Back the Joys | Alberta Hunter Vol. 1 | Document Records | Henderson was the musical director for Black Swan | |||
Ethel Waters w/ Cordy Williams' Jazz Band | Down Home Blues | Down Home Blues (Original Recordings 1920-1921) | JazzAge | this ws Black Swan's most successful recording | |||
Paul Robeson | St. Louis Blues | Paul Robeson: The Complete EMI Sessions 1928-1939 | Warner Classics | ||||
Sam Cooke | A Change is Gonna Come | Keep Moving' On | ABKCO | ||||
The Impressions | People Get Ready | People Get Ready | Geffen | ||||
Aretha Franklin | Take a Look | Take a Look: Complete on Columbia | Columbia | ||||
Marvin Gaye | What's Going On | What's Going On | Uni/Motown | ||||
Stevie Wonder | Living for the City | Innervisions | Motown | ||||
Bob & Marcia | To Be Young Gifted and Black | Young, Gifted and Black | Sanctuary Records | ||||
Nina Simone | Mississippi Goddamn | Verve Jazz Masters 17 | Verve |