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PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
Artist | Song | Album | Label | Comments | |||
---|---|---|---|---|---|---|---|
Earl Hines Orchestra | Jelly Jelly | Earl Hines Sessiond 1928-1945 | Mosaic | 2-3 today: a tribute to Billy Eckstine! This is one of Eckstine's first recordings, when he was the singer with Earl Hines. Rec. 1940 | |||
Earl Hines Orchestra | Skylark | Earl Hines Sessions 1928-1945 | Mosaic | rec 1942 although not the first to record it, Eckstine introduced the song Skylark on the radio | |||
Billy Eckstine and His Orchestra | I Love the Rhythm in a Riff | 1944-45 | Melodie Jazz Classic | rec. 1944 Eckstine left Hines' band in 1944 and founded his own, the first band devoted to bop. He brought together Dizzy Gillespie, Charlie Parker, Art Blakey, Dexter Gordon, Miles Davis, Sarah Vaughan, Fats navarro, Sonny Stitt, Gene Ammons & other luminaries of early bop | |||
Billy Eckstine and His Orchestra | A Cottage for Sale | 1944-45 | Melodie Jazz Classic | rec. 1945 the band was so innovative audiences often had trouble with the music, and preferred ballads where Eckstine's vocals were the feature | |||
Billy Eckstine and His Orchestra | Blowin' The Blues Away | The Swinging Mr. B | Passport | rec. 1945 rare radio transcription. Eckstine calls out several performers in the lyrics | |||
Billy Eckstine and His Orchestra | Second Balcony Jump | 1946-1947 | Chronological Classics | rec. 1946 by this point Eckstine was learning trumpet and valve trombone | |||
Billy Eckstine and His Orchestra | Oo Bop Sh'Bam | 1946-1947 | Chronological Classics | rec. 1946 written by Dizzy Gillespie | |||
Dizzy Gillespie Orchestra | Anthropologie (Take 2) | Complete RCA Victor Recordings | RCA | talkset | |||
Billy Eckstine and His Orchestra | Cool Breeze | 1946-1947 | Chronological Classics | rec. 1946 the band was so progressive and modern that they never gained much success. audiences and critics didn't understand them | |||
Billy Eckstine and His Orchestra | I Only Have Eyes for You | 1946-1947 | Chronological Classics | rec. 1947 eventually Eckstine realized since audiences responded so much better to his singing that he'd be more successful without the band. He disbanded the orchestra in 1947 and signed a lucrative deal with MGM | |||
Billy Eckstine | Everything I Have is Yours | Everything I Have is Yours: The Best of the MGM Years | Polygram | rec. 1948 MGM wanted to shape Eckstine into a crooner idol in the style of Frank Sinatra | |||
Billy Eckstine | I Apologize | Everything I Have is Yours: The Best of the MGM Years | Polygram | rec. 1951 these songs sound sugary compared to the progressive jazz of Eckstine's orchestra, but they were hugely successful | |||
Billy Eckstine and Sarah Vaughan | Dedicated to You | Everything I Have is Yours: The Best of the MGM Years | Polygram | rec. 1953 Sarah Vaughan got started in Earl Hines band on Eckstine's recommendation. She went with him when he founded his own band, and they stayed friends and worked together many times over the years | |||
Dizzy Gillespie Orchestra | Do Nothing Till You Hear from Me | Jazz Round Midnight: Ballads | talkset | ||||
Billy Eckstine with the Metronome All Stars | St. Louis Blues Pt. 1 & 2 | Everything I Have is Yours: The Best of the MGM Years | Polygram | rec. 1953 every year Metronome had a reader vote on the best musicians and singers. The winners would record four sides as the Metronome All Stars | |||
Billy Eckstine with the Woody Herman Orchestra | Life is Just a Bowl of Cherries | Everything I Have is Yours: The Best of the MGM Years | Polygram | rec. 1955 Eckstine continued recording with different bands, but the upward trajectory of his career was derailed by the backlash to that photo | |||
Billy Eckstine and Sarah Vaughan | Cheek to Cheek | Sing the Best of Irving Berlin | Verve | rec. 1958 Vaughan funded the recording of this album to help out her friend. Orchestra led by Hal Mooney | |||
Billy Eckstine | Prisoner of Love | Billy's Best | Verve | rec. 1958 this was an early hit for Eckstine which he recorded many times | |||
Billy Eckstine | Maybe This Time | If She Walked Into My Life | Craft | rec. 1974 in the 70s Eckstine recorded several albums including this one for Stax. He only recorded a couple more albums after this, and died in 1993 | |||
Dizzy Gillespie Orchestra | Sweet and Lovely | Jazz in Paris - Champs Elysees | talkset | ||||
Noble Sissle Orchestra feat. Lena Horne | I Take to You | 78" | 3-4 today: a tribute to Lena Horne! This was rec. 1936 & was Horne's first recording. She was credited as "Leana Horne" on the record | ||||
The Duke is Tops | I Know You Remember | short film | rec. 1938 this was Horne's first film appearance | ||||
Lena Horne o/ Charlie Barnet | Good-For-Nothin' Joe | Stormy Weather | rec. 1941 when Horne joined Charlie Barnet's orchestra it became one of the first integrated bands | ||||
Lena Horne o/ Lou Bring | The Man I Love | Stormy Weather | rec. 1941 this was a hit song for Horne | ||||
Lena Horne o/ Teddy Wilson | Out of Nowhere | Classic Brunswick & Columbia Teddy WIlson Sessions | Mosaic | rec. 1941 Wilson was Horne's regular accompanist when she performed at Cafe Society | |||
Lena Horne | Introduction | Jubilee 77 | otr-cat.com | rec. 1944 Horne often contributed to the war effort by performing for troops or appearing on shows like Jubilee | |||
Lena Horne | Honeysuckle Rose | Jubilee 77 | otr-cat.com | rec. 1944 | |||
Lena Horne | Stormy Weather | Masters of Jazz: Female Vocal Classics | Columbia | rec. 1942 the title song from STORMY WEATHER which Horne starred in, this became a signature song for her | |||
Lena Horne | Ain't It the Truth | Cabin in the Sky OST | Soundtrack Factory | rec 1943 this song was written for Horne to sing in CABIN IN THE SKY, but the scene has her singing in the bathtub which was considered too racy so the scene was cut | |||
Lena Horne | Love | The Lady and Her Music | Recall Records | rec. 1946 Horne sang this in ZEIGFELD FOLLIES | |||
Lena Horne | The Lady Is a Tramp | The Lady and Her Music | Recall Records | rec. 1948 Horne sang this in WORDS AND MUSIC | |||
Roy Eldridge Quartet | Someone to Watch Over Me | Little Jazz Trumpet Giant | Proper UK | talkset | |||
Lena Horne | Love Me or Leave Me | Best of Lena Horne: Love Me or Leave Me | Castle | rec. 1955 | |||
Lena Horne o/ Nat Brandwynne | Day in - Day Out | At the Waldorf-Astoria | Imports | rec. 1958 Horne's appearance at the Waldorf-Astoria was a triumph for her | |||
Lena Horne | Can't Help Lovin' Dat Man | Lena Like Latin | Ember | rec. 1964 Horne performed in SHOW BOAT on stage. In the next track she talks about her frustration at trying & failing to reprise the role in the movie | |||
Lena Horne | Lena's Dialogue: "Early Career" | Live on Broadway: The Lady and Her Music | Warner Brothers | rec. 1981 from Horne's one-woman show on Broadway | |||
Duke Ellington Orchestra | Don't Ever Say Goodbye | The Complete Capitol Recordings of Duke Ellington | Mosaic | talkset | |||
Lena Horne | Believe in Yourself | The Wiz | Geffen | rec. 1978 Horne appeared in this movie as Glinda the Good Witch |