| Artist |
Song |
Album |
Label |
Comments |
| Sarah Vaughan |
Tenderly |
Perdido! Live at Birdland 1953 |
Natasha Imports |
happy birthday Sarah Vaughan |
| Billy Eckstine Orchestra |
Opus X |
1944-1945 |
Melodie Jazz Classics |
inst. |
| Sarah Vaughan o/ Billy Eckstine |
I'll Wait and Pray |
Anthology |
Cleopatra |
Sarah's first recording, 1944, 78" on Deluxe label |
| Sarah Vaughan |
I've Got a Crush On You |
It's You or No One |
Discovery |
1946 album for Musicraft label |
| Sarah Vaughan |
If You Could See Me Now |
It's You or No One |
Discovery |
this song inducted into Grammy Hall of Fame in 1998 |
| Sarah Vaughan |
Black Coffee |
The Divine Sarah Vaughan: The Columbia Years |
Sony |
1949 w/ CBS Studio Orchestra |
| Sarah Vaughan |
Ain't Misbehavin' |
Sarah Vaughan in Hi Fi |
Sony |
1950 session w/ Miles Davis & Benny Green |
| Sarah Vaughan |
My Funny Valentine |
Compact Jazz |
Mercury |
1954 w/ Richard Hayman Orchestra |
| Miles Davis |
My Old Flame |
Essential Jazz: Night and Day |
|
inst. |
| Sarah Vaughan |
Lullaby of Birdland |
Sarah Vaughan & Clifford Brown |
Polygram |
Dec 1954, Vaughan's favorite of her own albums |
| Sarah Vaughan |
September Song |
Sarah Vaughan & Clifford Brown |
Polygram |
|
| Sarah Vaughan |
All of Me |
Swinging Easy |
Mercury |
1954 album on Mercury |
| Sarah Vaughan |
Body and Soul |
Swinging Easy |
Mercury |
Sarah w/ trio feat. John Malachi, Joe Benjamin & Roy Haynes |
| Sarah Vaughan |
How High the Moon |
At Mister Kelly's |
Polygram |
1957 live performance |
| Sarah Vaughan |
Whatever Lola Wants |
Golden Hits |
Polygram |
1955 w/ Hugo Peretti Orchestra, pop hit w/ Mercury |
| Charlie Parker |
Lover Man |
The Essential Charlie Parker |
Polygram |
inst. |
| Sarah Vaughan |
Lover Man |
78" |
Guild |
1945 w/ Dizzy Gillespie Quintette feat. Charlie Parker & Benny Green |
| Sarah Vaughan |
Lover Man |
Swinging Easy |
Mercury |
1954 |
| Sarah Vaughan |
Lover Man |
Sassy Swings the Tivoli |
Polygram |
1963 |
| Sarah Vaughan |
Willow Weep for Me |
At Mister Kelly's |
Polygram |
1957 feat. Jimmy Jones, Richard Davis & Roy Haynes |
| Sarah Vaughan |
Darn That Dream |
No Count Sarah |
Emarcy |
1958 w/ Count Basie Orchestra minus Basie |
| Sarah Vaughan |
Broken Hearted Melody |
Golden Hits |
Polygram |
1958 w/ Ray Ellis Orchestra, her first gold record |
| Sarah Vaughan |
Misty |
The Essential Sarah Vaughan |
Polygram |
1958 orchestra conducted by Quincy Jones |
| Count Basie Orchestra |
April in Paris |
The Complete Roulette Live Recordings |
Mosaic |
inst. |
| Sarah Vaughan & Joe Williams |
Teach My Tonight |
Count Basie & Sarah Vaughan |
Blue Note |
recorded 1960, one of her best albums of the 1960s |
| Sarah Vaughan |
I Cried for You |
Timeless Treasures |
Timeless |
w/ Count Basie Orchestra |
| Sarah Vaughan |
You Go to My Head |
Count Basie & Sarah Vaughan |
Blue Note |
|
| Sarah Vaughan |
I Feel Pretty |
Verve Jazz Masters |
Verve |
1963 |
| Sarah Vaughan |
Sometimes I'm Happy |
Sassy Swings the Tivoli |
Polygram |
1963 live performance in Copenhagen produced by Quincy Jones |
| Quincy Jones |
Exodus |
Essential Jazz: Night and Day |
|
inst. |
| Sarah Vaughan |
Corcovado (Quiet Nights of Quiet Stars) |
The Essential Sarah Vaughan |
Polygram |
1964 w/ Quincy Jones |
| Sarah Vaughan |
Serenata |
live TV performance |
|
1969, this was a hit for her in 1960 |
| Sarah Vaughan |
Triste |
I Love Brazil |
Pablo |
1977 her first album with Pablo & Norman Grantz |
| Sarah Vaughan |
Autumn Leaves |
Crazy and Mixed Up |
Pablo |
1982 w/ Joe Pass, Andy Simkins, Roland Hanna & Harold Jones |
| Sarah Vaughan |
So Many Stars |
Brazilian Romance |
Sony |
1987 her last album, w/ Sergio Mendes & Milton Nascimento |
| Antonio Carlos Jobim |
Children's Games |
Stone Flower |
SBME Special Markets |
inst. |
| Sarah Vaughan |
Perdido |
Perdido! Live at Birdland 1953 |
Natasha Imports |
1953 recorded live with Dizzy at Birdland in NYC |
