Contact Us
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
WXDU 88.7 FM
PO Box 90689
Duke Station
Durham, NC 27708
919-684-2957
wxdu@duke.edu
Artist | Song | Album | Label | ||||
---|---|---|---|---|---|---|---|
Charley Patton | Oh Death | King Of The Delta Blues: The Music Of Charley Patton | Yazoo | ||||
The Replacements | Ain't No Crime [Outtake] | Hootenanny [Expanded Edition] | Twin/Tone, Rhino | ||||
Dan Melchior | S.P 2 | The Backward Path | Northern Spy | ||||
Calico Haunts | Ariel | North Circle | Borderlord | ||||
ESG | It's Alright | A South Bronx Story | Universal Sound | ||||
Flowerpot Men | Jo’s So Mean To Josephine | Bustin' Out 1984: New Wave To New Beat Volume 4 | Year Zero | ||||
Amédé Ardoin | Les Blues De Voyage | I'm Never Comin' Back | Arhoolie | ||||
The Clean | Sad Eyed Lady | Anthology [Disc 1] | Merge | ||||
Steve Arrington | Summertime Lovin | Way Out (80-84) CD2 | Tummy Touch | ||||
David Kilgour & The Heavy Eights | Theme | Left By Soft | Merge | ||||
Times New Viking | Want To Exist | Dancer Equired | Merge | ||||
Wooden Shjips | Fallin' | Dos | Holy Mountain | ||||
The Hundred In The Hands | This Day Is Made | The Hundred In The Hands | Warp | ||||
The Carter Family | Just Another Broken Heart | Flowers In The Wildwood: Women In Early Country Music | Trikont | ||||
Americans In France | Mashing Up The Clouds | Pretzelvania | Odessa Records | ||||
Smoke Dawson | Forked Deer | Fiddle | Tompkins Square | ||||
Dock Boggs | Davenport | His Folkways Years 1963-1968 | Smithsonian Folkways | ||||
Charlie Haden & Jim Hall | First Song | Charlie Haden - Jim Hall | Impulse/Blue Note | ||||
Microkingdom | Peppermint Crab | 3 Compositions in No Jazz | Friends | ||||
Thin Lizzy | Black Boys On The Corner | Vagabonds Of The Western World | Deram | ||||
Boyd Rivers | Fire Shed In My Bones | Fire In My Bones: Raw Rare + Otherworldly African-American Gospel (1944-2007) | Tompkins Square | ||||
Jenks Miller | Babylon Destroyer Part IV | Approaching The Invisible Mountain | Holidays for Quince | ||||
Divine Fits | Baby Get Worse | A Thing Called Divine Fits | Merge | ||||
Freedom (Hourya) | Abadane | 1970s Algerian Folk And Pop | Sublime Frequencies | ||||
Mrafi | La Casa del Cattivo | Desertificati | Le Arti Malandrine | ||||
Dilated Peoples | Cut My Teeth | Director's Of Photography | Rhymesayers | ||||
Yamantaka / Sonic Titan | Oak Of Guernica | Yt//St | Psychic Handshake | ||||
Jim Ford | I'm Gonna Make Her Love Me | Country Funk 1969 - 1975 | Light in the Attic | ||||
The Men | Turn It Around | Open Your Heart | Sacred Bones | ||||
Naomi Shelton & The Gospel Queens | Thank You, Lord | Cold World | Daptone | ||||
Howlin' Wolf | Just My Kind | The Real Folk Blues & More Real Folk Blues | MCA/Chess | ||||
Precious Bryant | Ain't That Loving You Baby | Gran'mas I've Never Had | Moi J'Connais | ||||
Irma Thomas | She'll Never Be Your Wife | In Between Tears | Alive | ||||
Los Vigilantes | Amanda | Los Vigilantes | Slovenly | ||||
Blind Lemon Jefferson | Match Box Blues | The Best Of Blind Lemon Jefferson: Classic Recordings of the 1920s | Yazoo | ||||
Margarita Sierra | Cha Cha Twist | Chicas: Spanish Female Singers 1962-1974 | Vampi Soul | ||||
Mar-Vellos | Don't Play With My Heart | The Best of Loma Records: The Rise and Fall of a 1960's Soul Label | Warner Bros. | ||||
José Moreno | Jale Griego | Arhoolie Records 40th Anniversary Collection 1960-2000 | Arhoolie | ||||
William Parker Violin Trio | Sunday Morning Church | Scrapbook | Thirsty Ear | ||||
Jamka | Dashla | Pari Passu | Sub Rosa | ||||
The Commercials | Simon | Messthetics #105: Scottish D.I.Y. and (very) indie post-punk 1977-81 | Hyped2Death | ||||
Ernest Phipps & His Holiness Singers | If the Light Has Gone Out of Your Soul | Work Hard, Play Hard, Pray Hard: Hard Time, Good Time & End Time Music, 1923-1936 | Tompkins Square | ||||
Louise Cordet | Loving Baby | The Sweet Beat Of Louise Cordet | RPM | ||||
Poets Of Rhythm | Funky Train | The Anthology 1992-2003 | Daptone | ||||
The Left | The Viet Cong Live Next Door | Jesus Loves The Left | Bona Fide | ||||
Muddy Waters | Who's Gonna Be Your Sweet Man When I'm Gone | The Anthology | MCA/Chess | ||||
Hildur Guðnadóttir | Rennur upp | Saman | Touch | ||||
Double Dagger | The Lie/The Truth | More | Thrill Jockey | ||||
Psychedelic Horseshit | Automatic Writing | Laced | Fatcat | ||||
Gross Ghost | Meltdown | Brer Rabbit | Grip Tapes | ||||
Eastman Percussion Ensemble / Hartenstein, Ward | Claycussion | Gravikords, Whirlies & Pyrophones | Ellipsis Arts | ||||
Cedric Watson & Corey Ledet | Let The Good Times Roll | Goin' Down To Louisiana | Valcour | ||||
Jess Rowland | The Future Imagery Architecture | The Endless Fall Of The Infallible See - And The Future Imagery Architecture | Edgetone | ||||
Locust | I'll Be There | After The Rain | Editions Mego | ||||
Daniel Bachman | Happy One Step | Jesus I'm a Sinner | Tompkins Square | ||||
Labradford | El Lago | A Stable Reference | Kranky | ||||
Morrison Twin Brothers String Band | Dry and Dusty | Arkansas at 78 RPM: Corn Dodgers and Hoss Hair Pullers | Dust-To-Digital | ||||
Rene Hell | Baroque Ensemble Coda | The Terminal Symphony | Type | ||||
Polycarp | Good Morning | The Magnetic Moment | Wifflefist | ||||
Volcano Suns | Time Off | All-Night Lotus Party | Merge | ||||
Freddie McGregor | I Shall Be Released | Studio One Kings | Soul Jazz |